Tie-in work is, by its very nature, subject to a lot more unexpected change than other writing - it's someone else's copyright, and the writer has to live with that. It goes with the territory. That's why professional tie-in writers don't get emotionally attached to what they're working on. It's not that I take the task casually; but it's not my property, and the stewardship of it is always temporary. A pro has to be able to shrug, move on, and say: "Okay, nobody died, and the cheque didn't bounce - result! Next?"
But as a writer, I have a moral deal with you, the reader - if I hook you with a story, my part of the deal is to follow through and give you a satisfying outcome. If changes beyond my control mean I can't give you that, then I won't do a half a job. You deserve better than that.
Monday, August 10, 2009
End of One Era, Start of Another
Bestselling author Karen Traviss talks on her blog about her difficult decision to make IMPERIAL COMMANDO #2 her last STAR WARS novel...and about the unique challenges tie-in writers face. Here's an excerpt: