BOOKGASM: What do you find attractive about writing novelizations? And what’s not-so-attractive?
COX: On the positive side, you get to let someone else worry about the plotting and dialogue for once. It’s also just neat, on a fannish level, to be privy to the inside scoop on some upcoming new movie. The challenge is trying to describe a movie you haven’t actually seen; I’m always desperate for any sort of visual reference material I can get from the studio. Getting photos of the supporting characters tends to be difficult sometimes. The deadlines can be pretty tight, too.
BOOKGASM: When you finally see a film you earlier wrote a novelization for, what’s that experience like?
COX: Usually, it takes a couple of viewings before I can appreciate the movie on its own terms. The first time through, I’m too busy wincing at all the differences between the book and the movie. “Hey, what happened to the barn scene? That chase doesn’t go there. Ohmigod, they changed the dialogue. Wait a second, nobody told me that character was a woman!”
Eventually, though, after enough time has passed, I can start to experience the movie as just another audience member again.
Looking Back on PulpFest 2024 / FarmerCon XIX
-
Our friends at ThePulp.net have posted audio recordings and photos of last
year's PulpFest 2024 and FarmerCon XIX, which took place Thursday through
Sund...
1 week ago
No comments:
Post a Comment